Medieval Ireland was a perfect
country for unemployed warriors looking for a new master. A war-torn
island, it offered plenty of opportunities for many Scots from the western
islands and coastal areas, often noblemen fallen out of their king’s
favour, who offered their fighting skills to the highest bidder. The
Scottish galloglass, from the Gaelic word gallóglaigh (sing. gallóglaigh)
for
‘foreign warriors’, at their arrival in the middle of the thirteenth
century offered to the Irish lords the kind of soldiers they were short
of, that is to say crack heavy infantry. Until the first years of the seventeenth
century they were to play a prominent role in the Irish wars.
While the officers were Scottish
noblemen, most of the galloglass were Irish coming from the lowest classes
of society, recruited to fill out the ranks of the brigades that the
Scots were not enough to complete. Tall, imposing men chosen because
of their strength and size, during the frequent Irish cattle raids they
provided a screen for the horsemen and kerns (light infantrymen
specialized in ambushes and skirmishes) against a possible relief party. In
battle they formed the vanguard in the attack and the rearguard in the
retreat, invariably suffering heavy losses. Their main weapon was a Viking-style
two-handed axe, which they handled with great skill and that was capable
of inflicting terrible wounds. The battle-gear was also included a helmet,
almost always following modern trends from the rest of Europe, and a
shirt of mail. The galloglass are typically distinguished on effigies
and tombs by this equipment, and the book includes a number of fine illustrations
of these monuments. Brave and cruel in battle, in peacetime they were
ready to exploit the households of their lord’s tenantry where
they were billeted, becoming an heavy burden on an already poor country.
Skillfuly presented, wiht crisp writing, this book is the first to deal with the
military history of the galloglass.[1] Cannan provides
a sound, interesting treatment of the subject, without idealizing the
motivations of these soldiers. The reader is lead through a compelling
but always objective narrative which will appeal to non-specialists and
scholars alike. As usual with Osprey titles, plenty of illustrations
are included, included some wonderful paintings by Seán Ó ‘Brógáin.
Notes
[1] ed. note: a conference proceedings volume has very recently appeared: Seán Duffy (ed.), The World of the Galloglass (Dublin:
Four Courts Press, 2007). See review of that in the Scottish
Historical Review 89, no. 227, Part 1 (2010): 102-103.