This slim and colourful volume was first published
as part of a series on famous battles and campaigns linked to a
French popular military history magazine. Its format
has very strong similarities to that of the “Osprey” series
well known to military history enthusiasts in the Anglophone world:
lavish colour illustrations supplemented by original artwork reconstructing
key moments (in this case produced by Ludovic Letrun), computer generated
campaign maps, and a relatively focussed text concentrating on
the battle or campaign in question with broader contexts sketched
only rather lightly.
It should be said that the comparisons with the “Osprey”
model are not entirely flattering. The wider contextualisation
of the campaign is rather sketchy, especially when dealing with the
aftermath where the account traces a straight line of French triumph
from Orleans though to final victory in 1453 with little recognition
of the vicissitudes in the intervening decades. The battle maps for
the Loire campaign and the Battle of Patay are
sketchy in the extreme while no map or plan is given for the Battle
of Rouvray at all. Letrun’s illustrations
remain wedded to a 19th century view of Joan of Arc which
insisted on “feminising” her appearance and equipment
and there is no contemporary evidence for the blue skirt which she
is shown as wearing on the cover.
The biggest single problem, however, lies with
the translation. The English text is at best clunky
and inelegant and at worst only comprehensible to a reader with
a sound knowledge of French able to work out what the original
must have said. Occasionally the results are unintentionally
comical, as in the observation that “Bedford had two strategic
options..... regroup his forces in Guyenne and take possession
of Charles from the rear.”
(p. 9) Personal names and titles lurch unpredictably between
English and French forms (e,g.,
Burgundy/Bourgogne). In addition, it appears that a fairly
substantial piece of text has been lost between pages 55 and 56.
These issues aside, the book gives a full account
of the siege of Orleans (the Loire campaign which followed is covered
somewhat more briefly) which sticks very closely indeed to the
version given in contemporary or near-contemporary sources. Given
this closeness to the sources, analysis of the French defeat at Rouvray and
its impact is curiously underplayed. The substantial number
of Scottish, Spanish and Italian soldiers in the Orleans garrison
is also largely overlooked even though it is clear that John Stewart
of Darnley, commander of the Scottish army in French service, enjoyed
a very close relationship with the city and his death at Rouvray was
much mourned there. It is slightly surprising that Gondoin does
not at least mention the story that the Earl of Salisbury was killed
by a bombard shot touched off by a woman visiting the gun crew
on the city walls. Perhaps more surprisingly for a
book originally written for a French audience, while the role of
Joan of Arc in the battles leading to the raising of the siege
is given due prominence, the tone is slightly low key with little
of the rhetorical flourish which often creeps into even the most
academic accounts of Joan’s career. The focus is resolutely
on the siege at Orleans and its immediate aftermath. The
complex issues surrounding Joan’s mission are pushed to one
side and the somewhat incredible tale of how she came to be at
the head of the relief army banished to a short box on page 46.
In fairness, Gondoin’s rather
muted handling of Joan’s role could also be seen as one of
the book’s positive features. Whether deliberately
or not, his very source-bound approach has the real virtue of showing
just how delicately poised the situation at Orleans was on the
eve of Joan’s arrival without the tendency to blacken the
outlook for the defenders to which subsequent writers were (and
still sometimes are) inclined to yield. The English had never
had the numbers to invest the town completely and were even more
stretched with the withdrawal of the Burgundian element in the besieging army, a development to
which Gondoin gives due regard but which
is often underplayed in Joan-centred accounts. They were
operating on the very edge of their supply lines. It is entirely
possible that the siege might have collapsed even if Joan had never
left Lorraine. On the other hand, morale in Orleans
was becoming increasingly shaky as the siege ground on, damage
from bombardment mounted, and shortages began to pinch; it is equally
credible to argue that the city might have capitulated or been
betrayed from the inside without the inspiration which Joan’s
personal commitment to action brought to the French. The
book does not engage in these speculations—indeed it is much
stronger on narrative than analysis generally—but it does
have the merit of encouraging reflection.
It also brings back into view an individual who
would no doubt have been the hero of the siege had the English
been defeated without Joan’s intervention: Jehan the Hand Gunner. A fellow Lorrainer, Jehan was perhaps the first modern sniper, a charismatic
figure capable of picking off English soldiers with his culverin
(no mean feat given the wildly inaccurate nature of medieval gunpowder
weapons), playing morale-boosting tricks on the besiegers, and
(like Joan) apparently indestructible, returning to combat after
being wounded. He vanishes from history after Patay,
ultimately an enigmatic figure somewhat robbed of his hour of glory
by Joan. One wonders what he thought of her, and she
of him.
Overall, this is a book not without merits within
its genre but seriously compromised by its linguistic failings.